Classics Explained - An Introduction to Beethoven: Symphony No. 6, "Pastoral"

2002. 7. 5.

Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos

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장르: Classical
발매일: 2002. 7. 5.

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1
On Beethoven's Openings
1:26
2
Opening Phrase of the "Pastoral": Mood, Symbolism and Musical Function
1:44
3
Musical Acorns: The Outline of Melody; The Shape of a Question
0:42
4
The "Question" in the "Pastoral" Repeated...
0:04
5
...And Answered
0:12
6
The Opening Phrase Ends on a Note Full of Pregnant Expectation
0:19
7
Starting With a Stop
0:36
8
The Rhythmic Profile of the Opening Phrase; A Two-Part Construction
0:52
9
Phrase One, Part One
0:09
10
Phrase One, Part Two
0:06
11
The Properties of Rhythmic Ambiguity; The "Question" of Phrase One Answered
1:03
12
Phrase Two: From Meander to March
0:27
13
The Makings of a Conversation: Contrast and Variation
0:47
14
Repetition as a Major Factor, but It's Never Mere Repetition; Each Time Something New Is Added
0:33
15
From Soft to Loud and Back Again; Instrumental Enrichment from Horns and Double-Basses
0:18
16
Mega-Repetition: Violins Play Exactly the Same Little Fragment Ten Times in a Row
0:29
17
But No Two Repetitions Are Quite the Same; Variaties of Contrast
0:34
18
More Variation; Pitch Rises; Violins Joined First by the Clarinet, Then by the Oboe
0:18
19
Return to Opening Idea, but with New Instrumentation and Articulation
0:25
20
Clarinets, Horns, Bassoons and Flutes Now Join Expansive Variation
0:49
21
"New" Insistent Rhythm Derived from the First Four Notes of the Piece
0:09
22
With the Dawn Chorus, a Whole Forest Is Waking Up; Feelings of Rapture
0:36
23
First Violins Play a Derivative of the Opening Figure, Joined by Winds and Strings
0:32
24
Sudden Change of Key, from the Home Key (Tonic) to the Dominant
0:30
광고
25
Arrival at the Highly Contrasting Second Main Theme
0:55
26
Unusual Properties of Second Main Theme
2:15
27
Rhythmic Clash Between Simultaneous Groups of Three Beats and Groups of Two
1:09
28
Winds Fall Silent as the Violins and Violas Interrupt with a New Theme
0:30
29
Winds Answer with the Same Morse-Like Rhythm, but at Half the Speed
0:51
30
Crescendo Leads To Strings' Acceleration of the Pace with No Increase in Tempo
1:05
31
Beginning of Coda, Directly Based on Morse-Like Rhythm of the Main Theme
0:22
32
Strings Reiterate Small Fragment of the New Theme 13 Times in a Row
0:48
33
A Simple, Rising Violin Phrase Leads to a Repeat of the Exposition
0:18
34
The Nature and Function of the Development Section in Sonata Form; "Harmonic Rhythm" Explained
2:22
35
The Nature of Harmonic Rhythm Illustrated
0:35
36
A Typically Beethovenian Exercise in the Frustration of Expectation
0:38
37
Repetitiousness and Magic Effected Largely through Instrumental Colour
0:42
38
Then Come Four, Almost Identical Bars
0:07
39
Even Greater Magic, with Sudden Switch of Key and Tone Colour
0:28
40
Entire Development Section up to This Point
1:55
41
The Development, Continued
1:23
42
Increased Unease and Suspense as Harmonic Rhythm Accelerates
2:03
43
Arrival at the Point of Recapitualtion; Back to the Beginning, as a Reminder
1:50
44
Beginning of Recapitulation
0:50
45
More Beethovenian Frustrations of Expectations Which He Himself Has Just Set Up
1:01
46
Harmonic Rhythm Speeds Up, Giving the Impression of an Accent on Every Beat
0:34
47
Prevailing Mood Restored; New Theme from Clarinets and Bassoons
0:28
48
Violins and Violas Take Up Theme; Horns, Cellos, Double-Basses Accompany
0:48
광고
49
A Hush Falls, Followed by a Return of the Movement's Most Familiar Tag in Strings
0:58
50
Clarinet Takes Up the Running Triplet Figures of the Main Closing Theme
0:32